<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>Comments on: Balanced Line Technology</title>
	<atom:link href="http://www.epanorama.net/blog/2013/02/14/balanced-line-technology/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/</link>
	<description>All about electronics and circuit design</description>
	<lastBuildDate>Sat, 18 Apr 2026 22:36:12 +0000</lastBuildDate>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.9.14</generator>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1869134</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Thu, 22 Jan 2026 23:13:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1869134</guid>
		<description><![CDATA[The Ultimate Guide to Audio Cables and Connectors
https://www.youtube.com/watch?v=l6vrcz2xoqQ]]></description>
		<content:encoded><![CDATA[<p>The Ultimate Guide to Audio Cables and Connectors<br />
<a href="https://www.youtube.com/watch?v=l6vrcz2xoqQ" rel="nofollow">https://www.youtube.com/watch?v=l6vrcz2xoqQ</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1869133</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Thu, 22 Jan 2026 23:12:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1869133</guid>
		<description><![CDATA[How They Really Work - Balanced vs Unbalanced Cables and Connections
https://www.youtube.com/watch?v=ZABwLbwlGoA

Understand Where Noise Comes From and How to Stop It from Getting into your Recordings.

A balanced connection takes more than just a cable. In this video I explain the difference between balanced and unbalanced cables and how balanced connections really work. Find out what you need for your studio.]]></description>
		<content:encoded><![CDATA[<p>How They Really Work &#8211; Balanced vs Unbalanced Cables and Connections<br />
<a href="https://www.youtube.com/watch?v=ZABwLbwlGoA" rel="nofollow">https://www.youtube.com/watch?v=ZABwLbwlGoA</a></p>
<p>Understand Where Noise Comes From and How to Stop It from Getting into your Recordings.</p>
<p>A balanced connection takes more than just a cable. In this video I explain the difference between balanced and unbalanced cables and how balanced connections really work. Find out what you need for your studio.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1863920</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Wed, 22 Oct 2025 08:03:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1863920</guid>
		<description><![CDATA[https://www.aes.org/publications/standards/search.cfm?docID=44
AES Standard
AES48-2019: AES standard on interconnections - Grounding and EMC practices - Shields of connectors in audio equipment containing active circuitry]]></description>
		<content:encoded><![CDATA[<p><a href="https://www.aes.org/publications/standards/search.cfm?docID=44" rel="nofollow">https://www.aes.org/publications/standards/search.cfm?docID=44</a><br />
AES Standard<br />
AES48-2019: AES standard on interconnections &#8211; Grounding and EMC practices &#8211; Shields of connectors in audio equipment containing active circuitry</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1863891</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 22:20:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1863891</guid>
		<description><![CDATA[https://headphones.com/pages/balanced-headphones-guide

https://headphones.ca/pages/balanced-headphones-guide]]></description>
		<content:encoded><![CDATA[<p><a href="https://headphones.com/pages/balanced-headphones-guide" rel="nofollow">https://headphones.com/pages/balanced-headphones-guide</a></p>
<p><a href="https://headphones.ca/pages/balanced-headphones-guide" rel="nofollow">https://headphones.ca/pages/balanced-headphones-guide</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1863890</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 22:19:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1863890</guid>
		<description><![CDATA[https://hometheaterhifi.com/technical/technical-reviews/the-fully-balanced-power-amplifier-advantages-and-design-challenges/]]></description>
		<content:encoded><![CDATA[<p><a href="https://hometheaterhifi.com/technical/technical-reviews/the-fully-balanced-power-amplifier-advantages-and-design-challenges/" rel="nofollow">https://hometheaterhifi.com/technical/technical-reviews/the-fully-balanced-power-amplifier-advantages-and-design-challenges/</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1863889</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 22:18:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1863889</guid>
		<description><![CDATA[https://www.reddit.com/r/livesound/comments/1bc8m03/aes_grounding_compliant_rack_mounted_ysplit/]]></description>
		<content:encoded><![CDATA[<p><a href="https://www.reddit.com/r/livesound/comments/1bc8m03/aes_grounding_compliant_rack_mounted_ysplit/" rel="nofollow">https://www.reddit.com/r/livesound/comments/1bc8m03/aes_grounding_compliant_rack_mounted_ysplit/</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1863888</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 22:17:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1863888</guid>
		<description><![CDATA[https://gearspace.com/board/geekzone/1222952-help-implementing-aes-48-wiring.html]]></description>
		<content:encoded><![CDATA[<p><a href="https://gearspace.com/board/geekzone/1222952-help-implementing-aes-48-wiring.html" rel="nofollow">https://gearspace.com/board/geekzone/1222952-help-implementing-aes-48-wiring.html</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1863887</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Tue, 21 Oct 2025 22:17:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1863887</guid>
		<description><![CDATA[https://benchmarkmedia.com/blogs/application_notes/grounding-xlr-connectors-neutrik-usa]]></description>
		<content:encoded><![CDATA[<p><a href="https://benchmarkmedia.com/blogs/application_notes/grounding-xlr-connectors-neutrik-usa" rel="nofollow">https://benchmarkmedia.com/blogs/application_notes/grounding-xlr-connectors-neutrik-usa</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1842948</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Wed, 01 Jan 2025 11:49:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1842948</guid>
		<description><![CDATA[Modern microphones require an input impedance of between 1.2 and 5 kΩ, and most sound consoles, preamps and channel strips standardise on either 1.2 or 2.4 kΩ. A few preamps now offer variable impedance options that span the full range, but these are relatively rare. In impedance terms, there is unlikely to be any benefit at all in connecting your mics to channel strips rather than the mixer mic inputs. However, a dedicated channel strip may well have better-quality mic preamp circuitry and better EQ than a budget mixer, which may enable a better overall sound.

https://www.soundonsound.com/sound-advice/q-what-are-correct-input-impedances-guitars-and-mics]]></description>
		<content:encoded><![CDATA[<p>Modern microphones require an input impedance of between 1.2 and 5 kΩ, and most sound consoles, preamps and channel strips standardise on either 1.2 or 2.4 kΩ. A few preamps now offer variable impedance options that span the full range, but these are relatively rare. In impedance terms, there is unlikely to be any benefit at all in connecting your mics to channel strips rather than the mixer mic inputs. However, a dedicated channel strip may well have better-quality mic preamp circuitry and better EQ than a budget mixer, which may enable a better overall sound.</p>
<p><a href="https://www.soundonsound.com/sound-advice/q-what-are-correct-input-impedances-guitars-and-mics" rel="nofollow">https://www.soundonsound.com/sound-advice/q-what-are-correct-input-impedances-guitars-and-mics</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2013/02/14/balanced-line-technology/comment-page-2/#comment-1842947</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Wed, 01 Jan 2025 11:48:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.epanorama.net/blog/?p=16708#comment-1842947</guid>
		<description><![CDATA[XLR are most often used for low-impedance balanced audio signals in professional audio equipment (recording, public address, broadcast) to minimise noise 

Typical XLR cables are built with shielded twisted pair stock that has a characteristic impedance of about 110 ohms,

Typical XLR cables are built with shielded twisted pair stock that has a characteristic impedance of about 110 ohms, which is why that impedance was chosen for the original AES/EBU digital audio standard.]]></description>
		<content:encoded><![CDATA[<p>XLR are most often used for low-impedance balanced audio signals in professional audio equipment (recording, public address, broadcast) to minimise noise </p>
<p>Typical XLR cables are built with shielded twisted pair stock that has a characteristic impedance of about 110 ohms,</p>
<p>Typical XLR cables are built with shielded twisted pair stock that has a characteristic impedance of about 110 ohms, which is why that impedance was chosen for the original AES/EBU digital audio standard.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
