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	<title>Comments on: From audio mixer to synth</title>
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	<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/</link>
	<description>All about electronics and circuit design</description>
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		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1861890</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Fri, 12 Sep 2025 16:45:48 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1861890</guid>
		<description><![CDATA[https://www.facebook.com/share/r/1BL2gXd3Qh/]]></description>
		<content:encoded><![CDATA[<p><a href="https://www.facebook.com/share/r/1BL2gXd3Qh/" rel="nofollow">https://www.facebook.com/share/r/1BL2gXd3Qh/</a></p>
]]></content:encoded>
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	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1821686</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Sat, 03 Feb 2024 18:52:57 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1821686</guid>
		<description><![CDATA[https://www.gearnews.com/magpie-pedals-feedback-organ/?fbclid=IwAR3XnJVQWwXN2odXXtpGewcqGyvezhJAmU5po9uW6c_ZJtZSd4mI3fenzCw]]></description>
		<content:encoded><![CDATA[<p><a href="https://www.gearnews.com/magpie-pedals-feedback-organ/?fbclid=IwAR3XnJVQWwXN2odXXtpGewcqGyvezhJAmU5po9uW6c_ZJtZSd4mI3fenzCw" rel="nofollow">https://www.gearnews.com/magpie-pedals-feedback-organ/?fbclid=IwAR3XnJVQWwXN2odXXtpGewcqGyvezhJAmU5po9uW6c_ZJtZSd4mI3fenzCw</a></p>
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	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1803681</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Mon, 22 May 2023 11:51:18 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1803681</guid>
		<description><![CDATA[This Trick Allows ANY Pedal to Sound Like a Crazy Circuit Bent Synth
https://www.youtube.com/watch?v=SsA2j3AC1hw

Get glitchy circuit bent synth sounds from your pedal board. Remember to keep the volume low and try this setup at your own risk. This is not how your pedals were meant to be used, but it&#039;s a whole lot of fun!

Timecodes:
00:00 - Intro
00:27 - The Setup
01:37 - Drive Pedals
02:30 - EQ Pedals
02:56 - Combining Gain Pedals
03:25 - Modulation Pedals
04:24 - Delay Pedals and Small Pedalboards
05:42 - Other Pedals and Larger Pedalboards
06:45 - Pedalboard &#039;Solo&#039;]]></description>
		<content:encoded><![CDATA[<p>This Trick Allows ANY Pedal to Sound Like a Crazy Circuit Bent Synth<br />
<a href="https://www.youtube.com/watch?v=SsA2j3AC1hw" rel="nofollow">https://www.youtube.com/watch?v=SsA2j3AC1hw</a></p>
<p>Get glitchy circuit bent synth sounds from your pedal board. Remember to keep the volume low and try this setup at your own risk. This is not how your pedals were meant to be used, but it&#8217;s a whole lot of fun!</p>
<p>Timecodes:<br />
00:00 &#8211; Intro<br />
00:27 &#8211; The Setup<br />
01:37 &#8211; Drive Pedals<br />
02:30 &#8211; EQ Pedals<br />
02:56 &#8211; Combining Gain Pedals<br />
03:25 &#8211; Modulation Pedals<br />
04:24 &#8211; Delay Pedals and Small Pedalboards<br />
05:42 &#8211; Other Pedals and Larger Pedalboards<br />
06:45 &#8211; Pedalboard &#8216;Solo&#8217;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1802852</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Thu, 11 May 2023 11:42:03 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1802852</guid>
		<description><![CDATA[No Input Miku Is Probably The Dumbest Pedal Idea Ever
https://www.youtube.com/watch?v=9ZCXSV3oovw

Doing no input with a Miku Stomp pedal is a pretty dumb idea right? So how come I really like it :D]]></description>
		<content:encoded><![CDATA[<p>No Input Miku Is Probably The Dumbest Pedal Idea Ever<br />
<a href="https://www.youtube.com/watch?v=9ZCXSV3oovw" rel="nofollow">https://www.youtube.com/watch?v=9ZCXSV3oovw</a></p>
<p>Doing no input with a Miku Stomp pedal is a pretty dumb idea right? So how come I really like it <img src="http://www.epanorama.net/blog/wp-includes/images/smilies/icon_biggrin.gif" alt=":D" class="wp-smiley" /> </p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1802851</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Thu, 11 May 2023 11:40:48 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1802851</guid>
		<description><![CDATA[No Input Mixer Tutorial &#124; Sarah Belle Reid
https://www.youtube.com/watch?v=oUhfkaVUPY8

This video is an introduction to no input mixing and a basic patch tutorial. No input mixing is a technique pioneered by Toshimaru Nakamura, which involves creating chaotic sound on a mixer by self-patching to create feedback loops.

00:52 What is No Input Mixing?
03:12 How to Choose a Mixer
06:10 Patch Demo
10:52 Patch &amp; Mixer Walk-Through]]></description>
		<content:encoded><![CDATA[<p>No Input Mixer Tutorial | Sarah Belle Reid<br />
<a href="https://www.youtube.com/watch?v=oUhfkaVUPY8" rel="nofollow">https://www.youtube.com/watch?v=oUhfkaVUPY8</a></p>
<p>This video is an introduction to no input mixing and a basic patch tutorial. No input mixing is a technique pioneered by Toshimaru Nakamura, which involves creating chaotic sound on a mixer by self-patching to create feedback loops.</p>
<p>00:52 What is No Input Mixing?<br />
03:12 How to Choose a Mixer<br />
06:10 Patch Demo<br />
10:52 Patch &amp; Mixer Walk-Through</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1802570</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Mon, 08 May 2023 12:02:51 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1802570</guid>
		<description><![CDATA[Even Your Worst Pedal Is A Potential Synthesizer 
https://www.youtube.com/watch?v=Kpw69CHkkDA

Now I’ll spend a couple of sleepless nights just creating a feedback loop of ALL MY PEDALS and maybe do like a grand finale with that, heheh! Should I? I think I should. Cause pedals and mixers are my new main synthesizers, hehe]]></description>
		<content:encoded><![CDATA[<p>Even Your Worst Pedal Is A Potential Synthesizer<br />
<a href="https://www.youtube.com/watch?v=Kpw69CHkkDA" rel="nofollow">https://www.youtube.com/watch?v=Kpw69CHkkDA</a></p>
<p>Now I’ll spend a couple of sleepless nights just creating a feedback loop of ALL MY PEDALS and maybe do like a grand finale with that, heheh! Should I? I think I should. Cause pedals and mixers are my new main synthesizers, hehe</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/04/25/from-audio-mixer-to-synth/comment-page-1/#comment-1801520</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Wed, 26 Apr 2023 10:29:18 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=193685#comment-1801520</guid>
		<description><![CDATA[Your mixer is a synth! / No Input mixing techniques tutorial
https://www.youtube.com/watch?v=H-7kQmpjBds

Today I show you the basics of no input mixing techniques with a couple of practical examples and a few suggestions and thoughts on this particular way of using feedbacks in musical contexts.]]></description>
		<content:encoded><![CDATA[<p>Your mixer is a synth! / No Input mixing techniques tutorial<br />
<a href="https://www.youtube.com/watch?v=H-7kQmpjBds" rel="nofollow">https://www.youtube.com/watch?v=H-7kQmpjBds</a></p>
<p>Today I show you the basics of no input mixing techniques with a couple of practical examples and a few suggestions and thoughts on this particular way of using feedbacks in musical contexts.</p>
]]></content:encoded>
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