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	<title>Comments on: Friday Fun: Warning</title>
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	<link>https://www.epanorama.net/blog/2023/12/22/friday-fun-warning/</link>
	<description>All about electronics and circuit design</description>
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		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/12/22/friday-fun-warning/comment-page-1/#comment-1844262</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Tue, 21 Jan 2025 23:23:17 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=195027#comment-1844262</guid>
		<description><![CDATA[https://www.goodreads.com/quotes/330601-welcome-to-fight-club-the-first-rule-of-fight-club]]></description>
		<content:encoded><![CDATA[<p><a href="https://www.goodreads.com/quotes/330601-welcome-to-fight-club-the-first-rule-of-fight-club" rel="nofollow">https://www.goodreads.com/quotes/330601-welcome-to-fight-club-the-first-rule-of-fight-club</a></p>
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		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/12/22/friday-fun-warning/comment-page-1/#comment-1844115</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Sun, 19 Jan 2025 14:09:13 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=195027#comment-1844115</guid>
		<description><![CDATA[101th rule: it’s meta EQ. If you don’t understand, start at rule 1 and repeat.]]></description>
		<content:encoded><![CDATA[<p>101th rule: it’s meta EQ. If you don’t understand, start at rule 1 and repeat.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/12/22/friday-fun-warning/comment-page-1/#comment-1844113</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Sun, 19 Jan 2025 12:18:51 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=195027#comment-1844113</guid>
		<description><![CDATA[Ninth rule of EQ Club: trust your ears; they’re your ultimate guide.
Tenth rule: no pre-sets allowed—every EQ must be custom.
Eleventh rule: if the bass shakes your soul, you&#039;re on the right track.
Twelfth rule: treble should shine, but never pierce.
Thirteenth rule: midrange clarity is non-negotiable.
Fourteenth rule: never EQ in a rush—patience is key.
Fifteenth rule: feedback is not a failure, it’s a teacher.
Sixteenth rule: avoid the smiley-face curve unless you really know why.
Seventeenth rule: respect dynamic range; don&#039;t squash the life out of the sound.
Eighteenth rule: always A/B your settings.
Nineteenth rule: less can be more; don’t over-EQ.
Twentieth rule: acoustics of the room matter—adjust accordingly.
Twenty-first rule: flat response is a myth; aim for what sounds good.
Twenty-second rule: trust but verify—use reference tracks to check your work.
Twenty-third rule: never let a graphic equalizer intimidate you.
Twenty-fourth rule: avoid clipping at all costs.
Twenty-fifth rule: every EQ adjustment should have a purpose.
Twenty-sixth rule: know your gear like the back of your hand.
Twenty-seventh rule: don’t boost too much—cutting is often better.
Twenty-eighth rule: monitor at different volumes to ensure balance.
Twenty-ninth rule: if your ears are tired, take a break.
Thirtieth rule: the Fletcher-Munson curve is real—adjust for perceived loudness.
Thirty-first rule: experimentation breeds mastery.
Thirty-second rule: no auto-EQ functions allowed!
Thirty-third rule: don’t touch another member’s EQ settings without permission.
Thirty-fourth rule: analog EQs have soul, but digital EQs have precision—choose wisely.
Thirty-fifth rule: every genre has its own sweet spot—find it.
Thirty-sixth rule: avoid overcompensating for bad source material.
Thirty-seventh rule: educate yourself on phase shifts and their effects.
Thirty-eighth rule: pay attention to crossover frequencies in multi-driver setups.
Thirty-ninth rule: EQ can’t fix bad mixing.
Fortieth rule: start neutral and adjust from there.
Forty-first rule: resist the temptation to boost 10 kHz just because it sounds “shiny.”
Forty-second rule: don’t ignore sub-bass—it’s felt as much as heard.
Forty-third rule: remember, EQ is both science and art.
Forty-fourth rule: minimalism is often the mark of a master.
Forty-fifth rule: listen to live performances to calibrate your expectations.
Forty-sixth rule: a good EQ should disappear into the sound.
Forty-seventh rule: respect your listening environment—treat the space if needed.
Forty-eighth rule: don’t obsess over frequency charts—trust your ears.
Forty-ninth rule: always leave headroom for dynamics.
Fiftieth rule: don’t neglect the low-mid muddiness—it’s often the culprit.
Fifty-first rule: every speaker has its quirks—EQ for them, not against them.
Fifty-second rule: stereo imaging can be shaped by EQ.
Fifty-third rule: don’t confuse volume with quality.
Fifty-fourth rule: know when to walk away from the EQ.
Fifty-fifth rule: don’t crank the loudness to impress others.
Fifty-sixth rule: trust seasoned ears, but develop your own.
Fifty-seventh rule: EQ settings are not universal—context matters.
Fifty-eighth rule: always have fun while tuning.
Fifty-ninth rule: no frequency is inherently “bad”—it’s all about balance.
Sixtieth rule: learn to identify frequency ranges by ear.
Sixty-first rule: protect your hearing—it’s your greatest tool.
Sixty-second rule: avoid drastic cuts unless absolutely necessary.
Sixty-third rule: the soundstage is as important as the frequency response.
Sixty-fourth rule: EQ with intent, not instinct.
Sixty-fifth rule: always save your best settings for future reference.
Sixty-sixth rule: if you’re second-guessing, you probably need to re-EQ.
Sixty-seventh rule: don’t be afraid to start over.
Sixty-eighth rule: respect the original artistic intent of the music.
Sixty-ninth rule: remember that EQ is a journey, not a destination.
Seventieth rule: never stop learning—you can always improve.
Seventy-first rule: subtlety wins the long game.
Seventy-second rule: the best EQ is often the one you don’t notice.
Seventy-third rule: share your knowledge with others—it makes you better too.
Seventy-fourth rule: every adjustment changes the whole system—listen for the ripple effects.
Seventy-fifth rule: don’t chase perfection at the expense of enjoyment.
Seventy-sixth rule: never let anyone tell you what “perfect” sound is—it’s personal.
Seventy-seventh rule: bass traps are your best friend.
Seventy-eighth rule: it’s okay to love certain frequencies more than others.
Seventy-ninth rule: always carry a notepad for your discoveries.
Eightieth rule: embrace the imperfections—they’re part of the charm.
Eighty-first rule: listen widely and tune accordingly.
Eighty-second rule: silence can teach you more than sound sometimes.
Eighty-third rule: there’s no shame in using a parametric EQ.
Eighty-fourth rule: never EQ while angry—it clouds your judgment.
Eighty-fifth rule: find mentors who challenge your perspective.
Eighty-sixth rule: don’t fear the steep curve—it has its place.
Eighty-seventh rule: know your limits—don’t EQ for hours on end.
Eighty-eighth rule: protect the integrity of the mix—don’t overdo it.
Eighty-ninth rule: have faith in the music—it will guide you.
Ninetieth rule: every EQ session is an opportunity to grow.
Ninety-first rule: balance is always better than extremes.
Ninety-second rule: a good EQ can make an average setup sound amazing.
Ninety-third rule: document your favorite frequency tweaks.
Ninety-fourth rule: accept constructive criticism—it’s a gift.
Ninety-fifth rule: no shortcuts—learn the fundamentals.
Ninety-sixth rule: always monitor your EQ in mono at least once.
Ninety-seventh rule: your gear doesn’t define you—your ears do.
Ninety-eighth rule: never stop asking “what if?”
Ninety-ninth rule: always celebrate your progress.
One-hundredth rule: EQ for joy—it’s why you’re here.]]></description>
		<content:encoded><![CDATA[<p>Ninth rule of EQ Club: trust your ears; they’re your ultimate guide.<br />
Tenth rule: no pre-sets allowed—every EQ must be custom.<br />
Eleventh rule: if the bass shakes your soul, you&#8217;re on the right track.<br />
Twelfth rule: treble should shine, but never pierce.<br />
Thirteenth rule: midrange clarity is non-negotiable.<br />
Fourteenth rule: never EQ in a rush—patience is key.<br />
Fifteenth rule: feedback is not a failure, it’s a teacher.<br />
Sixteenth rule: avoid the smiley-face curve unless you really know why.<br />
Seventeenth rule: respect dynamic range; don&#8217;t squash the life out of the sound.<br />
Eighteenth rule: always A/B your settings.<br />
Nineteenth rule: less can be more; don’t over-EQ.<br />
Twentieth rule: acoustics of the room matter—adjust accordingly.<br />
Twenty-first rule: flat response is a myth; aim for what sounds good.<br />
Twenty-second rule: trust but verify—use reference tracks to check your work.<br />
Twenty-third rule: never let a graphic equalizer intimidate you.<br />
Twenty-fourth rule: avoid clipping at all costs.<br />
Twenty-fifth rule: every EQ adjustment should have a purpose.<br />
Twenty-sixth rule: know your gear like the back of your hand.<br />
Twenty-seventh rule: don’t boost too much—cutting is often better.<br />
Twenty-eighth rule: monitor at different volumes to ensure balance.<br />
Twenty-ninth rule: if your ears are tired, take a break.<br />
Thirtieth rule: the Fletcher-Munson curve is real—adjust for perceived loudness.<br />
Thirty-first rule: experimentation breeds mastery.<br />
Thirty-second rule: no auto-EQ functions allowed!<br />
Thirty-third rule: don’t touch another member’s EQ settings without permission.<br />
Thirty-fourth rule: analog EQs have soul, but digital EQs have precision—choose wisely.<br />
Thirty-fifth rule: every genre has its own sweet spot—find it.<br />
Thirty-sixth rule: avoid overcompensating for bad source material.<br />
Thirty-seventh rule: educate yourself on phase shifts and their effects.<br />
Thirty-eighth rule: pay attention to crossover frequencies in multi-driver setups.<br />
Thirty-ninth rule: EQ can’t fix bad mixing.<br />
Fortieth rule: start neutral and adjust from there.<br />
Forty-first rule: resist the temptation to boost 10 kHz just because it sounds “shiny.”<br />
Forty-second rule: don’t ignore sub-bass—it’s felt as much as heard.<br />
Forty-third rule: remember, EQ is both science and art.<br />
Forty-fourth rule: minimalism is often the mark of a master.<br />
Forty-fifth rule: listen to live performances to calibrate your expectations.<br />
Forty-sixth rule: a good EQ should disappear into the sound.<br />
Forty-seventh rule: respect your listening environment—treat the space if needed.<br />
Forty-eighth rule: don’t obsess over frequency charts—trust your ears.<br />
Forty-ninth rule: always leave headroom for dynamics.<br />
Fiftieth rule: don’t neglect the low-mid muddiness—it’s often the culprit.<br />
Fifty-first rule: every speaker has its quirks—EQ for them, not against them.<br />
Fifty-second rule: stereo imaging can be shaped by EQ.<br />
Fifty-third rule: don’t confuse volume with quality.<br />
Fifty-fourth rule: know when to walk away from the EQ.<br />
Fifty-fifth rule: don’t crank the loudness to impress others.<br />
Fifty-sixth rule: trust seasoned ears, but develop your own.<br />
Fifty-seventh rule: EQ settings are not universal—context matters.<br />
Fifty-eighth rule: always have fun while tuning.<br />
Fifty-ninth rule: no frequency is inherently “bad”—it’s all about balance.<br />
Sixtieth rule: learn to identify frequency ranges by ear.<br />
Sixty-first rule: protect your hearing—it’s your greatest tool.<br />
Sixty-second rule: avoid drastic cuts unless absolutely necessary.<br />
Sixty-third rule: the soundstage is as important as the frequency response.<br />
Sixty-fourth rule: EQ with intent, not instinct.<br />
Sixty-fifth rule: always save your best settings for future reference.<br />
Sixty-sixth rule: if you’re second-guessing, you probably need to re-EQ.<br />
Sixty-seventh rule: don’t be afraid to start over.<br />
Sixty-eighth rule: respect the original artistic intent of the music.<br />
Sixty-ninth rule: remember that EQ is a journey, not a destination.<br />
Seventieth rule: never stop learning—you can always improve.<br />
Seventy-first rule: subtlety wins the long game.<br />
Seventy-second rule: the best EQ is often the one you don’t notice.<br />
Seventy-third rule: share your knowledge with others—it makes you better too.<br />
Seventy-fourth rule: every adjustment changes the whole system—listen for the ripple effects.<br />
Seventy-fifth rule: don’t chase perfection at the expense of enjoyment.<br />
Seventy-sixth rule: never let anyone tell you what “perfect” sound is—it’s personal.<br />
Seventy-seventh rule: bass traps are your best friend.<br />
Seventy-eighth rule: it’s okay to love certain frequencies more than others.<br />
Seventy-ninth rule: always carry a notepad for your discoveries.<br />
Eightieth rule: embrace the imperfections—they’re part of the charm.<br />
Eighty-first rule: listen widely and tune accordingly.<br />
Eighty-second rule: silence can teach you more than sound sometimes.<br />
Eighty-third rule: there’s no shame in using a parametric EQ.<br />
Eighty-fourth rule: never EQ while angry—it clouds your judgment.<br />
Eighty-fifth rule: find mentors who challenge your perspective.<br />
Eighty-sixth rule: don’t fear the steep curve—it has its place.<br />
Eighty-seventh rule: know your limits—don’t EQ for hours on end.<br />
Eighty-eighth rule: protect the integrity of the mix—don’t overdo it.<br />
Eighty-ninth rule: have faith in the music—it will guide you.<br />
Ninetieth rule: every EQ session is an opportunity to grow.<br />
Ninety-first rule: balance is always better than extremes.<br />
Ninety-second rule: a good EQ can make an average setup sound amazing.<br />
Ninety-third rule: document your favorite frequency tweaks.<br />
Ninety-fourth rule: accept constructive criticism—it’s a gift.<br />
Ninety-fifth rule: no shortcuts—learn the fundamentals.<br />
Ninety-sixth rule: always monitor your EQ in mono at least once.<br />
Ninety-seventh rule: your gear doesn’t define you—your ears do.<br />
Ninety-eighth rule: never stop asking “what if?”<br />
Ninety-ninth rule: always celebrate your progress.<br />
One-hundredth rule: EQ for joy—it’s why you’re here.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tomi Engdahl</title>
		<link>https://www.epanorama.net/blog/2023/12/22/friday-fun-warning/comment-page-1/#comment-1844112</link>
		<dc:creator><![CDATA[Tomi Engdahl]]></dc:creator>
		<pubDate>Sun, 19 Jan 2025 12:04:11 +0000</pubDate>
		<guid isPermaLink="false">https://www.epanorama.net/newepa/?p=195027#comment-1844112</guid>
		<description><![CDATA[Welcome to EQ Club. 
The first rule of EQ Club is: you do not talk about EQ Club. 
The second rule of EQ Club is: you DO NOT talk about EQ Club! 
Third rule of EQ Club: if someone yells “stop!”, goes limp, or taps out, the EQ is over. 
Fourth rule: only two channels to a EQ. 
Fifth rule: one EQ at a time, fellas. 
Sixth rule: the EQs are bare ear. No spectrum analyzers, no measurement microphones and no computer software
Seventh rule: EQ tuning will go on as long as they have to. 
And the eighth and final rule: if this is your first time at EQ Club, you have to EQ.

Based on Fight Club]]></description>
		<content:encoded><![CDATA[<p>Welcome to EQ Club.<br />
The first rule of EQ Club is: you do not talk about EQ Club.<br />
The second rule of EQ Club is: you DO NOT talk about EQ Club!<br />
Third rule of EQ Club: if someone yells “stop!”, goes limp, or taps out, the EQ is over.<br />
Fourth rule: only two channels to a EQ.<br />
Fifth rule: one EQ at a time, fellas.<br />
Sixth rule: the EQs are bare ear. No spectrum analyzers, no measurement microphones and no computer software<br />
Seventh rule: EQ tuning will go on as long as they have to.<br />
And the eighth and final rule: if this is your first time at EQ Club, you have to EQ.</p>
<p>Based on Fight Club</p>
]]></content:encoded>
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